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One thing is certain:
the influence of religion on his work is distinctly Christian. I
ask Chuck how he feels about Christianity in particular, if he feels
that Christianity gets an unfair top billing out of all the religions,
and everything else just kind of plays second fiddle. He stops to
think.
"Well, I don't know. I haven't
thought about these things, so I don't want to talk about them just
right off the top of my head." He drinks his coffee, ponders this
question some more. "I think Christianity has some real inherent
faults in some of the metaphors that it uses, and those are the
things that I like to play with. If we try to identify God using
metaphors from our culture, like fathers and lambs, then what happens
to our connection with God? Most human beings never come across
a lamb. A lamb is a totally abstract thing to me. I saw a lamb once
at a petting zoo. So 'Lamb of God'... Okay, that's what a lamb looks
like. In our culture where fathers are sort of absent, and where
father are no longer a huge item of respect, or discipline, or whatever
– if we've already been using that metaphor to describe God, and
then the real thing in society, the father, breaks down, what happens
to our idea of God? This shortcutting to comprehend God by using
our world breaks down our idea of God when our world breaks down.
That's what I don't like. That's what I'm always attacking in my
books. In Fight
Club I talked about that a lot."
Despite the profound subject matter,
however, Choke
is actually his most humorous novel yet. Perhaps that's why it works
so well to get its message across. In one scene, Victor participates
in a rehearsed, simulated rape that produces absolutely hilarious
results.
"Oh, man," he laughs. "The day
I brought that into workshop, I expected to get crucified on that.
And people laughed their eyes out. People were laughing so hard,
that I thought, 'Well, maybe I'm just being too sensitive about
it.' Then I sent it out into the world and I thought, 'I'm still
going to get crucified on this.' But no, what I was hearing back
from editors and readers, men and women – especially women
at the movie studios that I knew – said that that was the scene
that they laughed at the most. Then I thought, 'Well maybe it works,
and it's not quite so threatening.' But I did fully expect to get
people objecting to that."
At this point, a waiter approaches
our table and asks Chuck, "May I recommend the clam chowder today,
sir?"
Chuck puts his hand to his forehead
and groans. "Oh no, not on a Sunday. Should I not be eating this?"
The waiter laughs nervously at his joke, then leaves. Word gets
around and everyone's acting out scenes from Fight
Club.
Several minutes later, a waitress
approaches and tells Chuck that Ryan (the waiter) really wanted
to ask for his autograph but he was too embarrassed – so he's taking
his fork instead. Chuck gasps. "My fork? For DNA testing? Have we
come to Gattaca already?" After laughing about this, Chuck
tells her to bring over a piece of paper and he'll autograph it.
Which he does happily.
Getting back to the interview,
Chuck addresses the issue of sexual addiction in Choke.
"From what I understand about sexaholics, and the whole pathology
of it, is that they use sex as an anesthetic," he says. "In the
groups that I attended, it wouldn't be each person was constantly
like some sort of gourmand out there trying to discover as many
different sexual things as possible. Each of them seemed to have
latched onto one thing. There were these guys who whacked off 18
times a day, and there were these guys who went to lingerie modeling
parlors 5 times a day, and guys who went to prostitutes 8 times
a week. And, no pun intended, they were in a rut. Cute pun though.
They used it as an anesthetic. They didn't want something new and
different every time. They found the thing that worked for them,
so they just went and did that thing. It wasn't so much an exploration
as they just wanted the same old same old. A heroin addict is very
happy with heroin. He doesn't screw around once he finds heroin."
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